- Traditional elements and principles of art: building blocks of art and design used to express ideas or emotions
- Contemporary artists go beyond these
- Necessary to learn language of art
- Postmodernism: Art became about content or meaning rather than just aesthetic choice
- Appropriation: giving new identities to old objects
- Push the limits of art
- Reproduced: photographically/digitally
- Re-created: altering scale or style to create nw meaning
- Juxtaposition: layering/redefining
- Time
- Performance art: activity or event performed in front of life audience: music, dance, poetry, theater, visual, etc.
- Performative Art: explores the process mood or actions used to create art
- Space traditionally creates the illusion of space or even abstracted space or positive and negative space
- Walker elements of space: can be installation art, virtual space, or space of sky or surroundings
- Hybridity traditionally is mixing of two species
- Walker concept of hybridity: culture or material
Traditional elements and principles of art: building blocks
of art and design (used to express ideas or emotions)
Contemporary artists go beyond these elements and
principles.
A Short History of
Art Today
Elements and principles are a kind of language used in art;
just like writers with words, artists can use line, shape, color, etc in
different combinations to create meaning in art. It is necessary to learn the
language of art in order to understand
and appreciate it. Before the
mid-19th cent. art was created to look realistic and express their ideas about
subjects. (Unity, balance, and harmony.)
Modern artists began using elements to create abstract art,
separating elements to remove from subject matter. (focusing on color, line, or
shape alone.)
Postmodernism was a reaction to modernism - destroy
traditional rules.
Traditional elements are often purposefully set aside. Now
that content or meaning has become more important than materials used,
shouldn't we use different elements?
There is an interest in engaging viewers conceptually that old elements
could not adequately express.
Appropriation, Time,
Performance, Space, and Hybridity: tools to understanding contemporary art.
Traditional Elements
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Walker’s Elements / Contemporary
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Appropriation
Andy Warhol
Sixteen Jackies
1964
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·
Creating new work by taking a preexisting
image/object from another source and giving it a new identity.
|
·
Re-created: altering scale or style to create
new meaning
Juxtaposition, layering, redefining
·
Reproduced: photographically/digitally
·
Some are politically charged, symbolic,
ambiguous, or push limits of art.
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Time
Bruce Nauman
Poke in the Eye/Nose/Ear 3/8/94 Edit 1994 |
·
Subject of the artwork: historical
paintings
|
·
Utilize the reference of time or an
investment of time often through video and film
|
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Performance
Niki de Saint
Phalle
“Untitled from Edition MAT 64” 1964 |
Performance art:
·
Performed in front of a live audience
·
Often scripted but can be spontaneous
·
Includes music, dance, poetry,
theater, visual art, video
Performative Art:
|
·
Performance has evolved to tests of
endurance to large-scale, site-specific venues
·
Becoming multimedia
·
Public projects
·
Utilizing the body as a tool to
produce art
·
Ritual, private performance, or
multimedia event where an artwork is produced or is a by-product of these
events
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Space
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·
Creating the illusion of space or
depth on a flat surface.
·
Using one point perspective and/or
light and shadow to create the illusion of space.
·
They may even abstract space such as
Cubist style.
·
Traditional sculpture is described in
positive and negative space
|
·
When an artist creates a work for a
room or specific space, it is called INSTULATION ART. Most installations are
temporary and sometimes engage multiple senses such as sight, smell and hearing.
·
Contemporary artists work with space
by focusing on real space: the dimensions of a room, limited space of the sky
of virtual space of the Internet
·
Materials include but are limited to
fine-art or industrial materials, from wood and stone to steel and plastics
to frame space or install a work to fill a space.
·
Viewers can be surrounded by art, or
are led to a focused experience or perception of a real space.
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Hybridity
|
·
In science, mixing the characteristic
of two different species in order to create one that is better or stronger
creates a hybrid.
·
In an automobile, a hybrid combines
an electric motor with a gasoline engine.
|
·
Material Hybridity
and Cultural
·
Many contemporary artists have
blended different cultures in their lives and work that explores issues of
personal and cultural identity
·
Materials and media for creating art
are wide open.
·
Some artists have selected new
materials for their art, such as industrial or recycled materials, and
technologies such as photography, video, or digital media
·
Combinations of still image, moving
image, sound, digital media, and found objects can create new hybrid art
forms that are beyond what traditional artists have ever imagined.
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